In 1982, director Steven Spielberg followed up Raiders of the Lost Ark with a family-centered feature about a young boy who meets an alien, based on his own childhood experience of creating an imaginary friend after his parents’ divorce. With a budget o

Director Ridley Scott returned to outer space with the 2013 Alien prequel Prometheus, set on a distant world, and two years later, when he adapted Andy Weir’s best-selling 2011 novel, Scott visited another extraterrestrial destination, albeit one relati

It’s autumn in New York, and we’re feeling the love with another Nora Ephron rom-com. This week, we’re dialing up the classic Tom Hanks-Meg Ryan tale of “boy meets girl in internet chat room, boy discovers girl’s true identity, and then boy kills

We’ve almost run out of time for Aug-Heist: The Getaway, but not before we go on the run with one final film. This week, we’re finally doing a proper prison break movie with a little-seen 2010 slow-burn thriller from director Paul Haggis, who won back

This week on Aug-Heist: The Getaway, director Quentin Tarantino brings us his debut outing, Reservoir Dogs! As a video-store clerk turned first-time filmmaker, he directed, wrote, and appeared in this indie hit, which took Sundance by storm as part of the

This week on Aug-Heist: The Getaway, fact meets fiction with the “based on a true story about a fake movie” Argo! Set during the Iranian hostage crisis, this ensemble escape thriller stormed the box office and awards season, raking in over $230 millio

This is Aug-Heist: The Getaway! This week, we’re running away with Fantastic Mr. Fox, a 2009 animated film directed by Wes Anderson. The quote-unquote “Fantastic Mr. Fox” – voiced by George Clooney – and his colorful cast of animal accomplices – inc

We’ve reached the end of July, and believe it or not, it’s the first month this year with five Tuesdays. Don’t believe me? Well, look at a calendar. No, no, the Julian Calendar. It’s July, for christsakes! Sorry, sorry. Right, where was I? Oh, so

It’s the summer of ‘25 and we’re heading to Syracuse, New York, in search of an act of reciprocal pleasure. In the Salt City, we discover the latest film from American High, a sultry and silly affair directed by Jillian Bell in her directorial debut

In 1991, Daniel Petrie, the director of Beverly Hills Cop and Turner & Hooch, brought a script he’d co-written with David Koepp, based on the novel by William P. Kennedy, to the big screen. Starring Sean Astin a year before he had everyone chanting his na